(work in progress / 2024 – 2025)
“(…) Identity, love, desires, dresses, memory (…) The clothes kept in the boot, or in a photo, the memory, the instant where apparently happiness was the protagonist, the patterns that run through us, the vows, the mandates, the social changes, love and lack of love. The capacity of clothes and wedding dresses to relate the self to the body and to the world. The spaces speak to us of a distant time blurred in time. Memory is fragmented, it becomes selective. The physical absence of those people, the representative of the moment. The image of those in which meaning evokes memory, the bonds we have loved and lost. To question oneself through images, means to see again and re-signify memories. (…) The image of those in which meaning evokes memory, the bonds we have loved and lost. To question oneself through images, means to see again and re-signify memories. (…)
(…) Each epoch and culture develops its own aesthetic codes, this is perceived in the images and it is a way of interpreting the world (…). As Barthes said «The costume is a kind of interminable text, in which one must learn to delimit the significant units» (…)».
